Traveling is the ruin of all
happiness! There's no looking at a building after seeing Italy. ~ Fanny Burney
Situated on the Adriatic Sea, Ancona is the first of many
Italian ports of call on our itinerary. The Greeks were the original settlers
here and Ancona, their name for the place, means “elbow” and describes the
natural harbor here. Though the town beckoned with its own ancient walls and
interesting-looking cathedral high on a hilltop, we were headed into the
countryside of the Marche (rhymes with Parkay!) region to visit the walled
Renaissance town of Urbino. The Marche area is achingly lovely, a rumpled patchwork
quilt tossed at the feet of the Apennines (the mountain range that runs down
the middle of Italy like an exposed spine).
Urbino is everything you’d expect a walled town to be. It
was like stepping into the Game of Thrones, except for a few stray automobiles.
The streets are cobbled and never level.
In fact, the grade we had to walk to reach the piazza
with a fountain that was to be our final meeting point was steeper than
Matterhorn Drive in Park City, Utah (We used to live on the side of the
mountain there at an elevation of 7200 feet!) Then after a short respite to
catch our breaths, our guide led us up another winding street to the Ducal
Palace that has been transformed into an art gallery.
The palace was originally home to Federico da
Montefeltro, first the Count, then the Duke of Urbino. You may have seen this
remarkable painting of him. He wasn’t born with a profile like that. During a
joust, he suffered a terrible injury that took his right eye and deformed his
nose, but he survived. A man of culture, he took pains to cultivate artists
like Francesca and Raphael, who was born in Urbino.
Raphael’s La Muta
is reminiscent of Da Vinci’s La Gioconda
(aka Mona Lisa) and in fact the two men were good friends. However, Raphael had
a fierce rivalry with Michaelangelo and both feared the other would steal ideas
for their work. (There was no such thing as a copyright then. Musicians often
lifted themes from others’ compositions.
Handel was notorious for this, but his renditions were generally
considered an improvement on the originals.)
Francesca’s Flagellation of Christ was the first known
example of vanishing point perspective. Our guide is pointing out the central
spot to which all invisible lines attach, giving the work depth both in space
and time. The foreground figures are all dressed in Renaissance clothing. It
would be as if they were in business suits today. The figures around Christ are
farther in the background and deeper in time as well.
After touring the first floor of the palazzo, (BTW,
Europeans call the street level “Ground” and what Americans would call the
second floor, they name the first.) we had a little free time to grab lunch
before returning to our motor coach. I had a cheese croissant sandwich and was
just starting to eat my chocolate fundamente gelato (OMGosh! Creamy, sweet and
rich enough to serve at the Marriage Feast of the Lamb!) when our guide called
for us to head to the waiting bus.
But we didn’t go back down the steep way we’d come into
Urbino. Instead, she led us UP! I
couldn’t eat and breathe and walk at the same time, so I sorrowfully dumped
more than half the gelato in a trash bin and began the miserable slog up a lane
that was even steeper than the first one we took to enter the town.
I can walk on uneven surfaces and climb stairs and hills,
but I need to monitor my O2 sats while I do it to make sure I don’t drop to
unsafe levels. This makes keeping up with a group problematic. I had to stop
three times and wait until my numbers came back up to the high 90’s before
continuing. But I wasn’t alone. Along with the DH, several members of the group
hung back with me when I had to stop. Their encouragement was priceless.
And here’s where it gets weird. Once we reached the upper
gate to exit the walled city, we were led to a set of escalators to go DOWN from level 10 to level 7. Then we
took an elevator down to level 6 where we had to change to a different elevator
to go all the way to level 0. Then we walked across a parking lot to where our
bus waited.
I’m happy to report I was not the last one to make to the
bus. A party of four came after us. Then the bus drove around the town of
Urbino and back to the lower gate where we’d first entered the town to pick up
two more guests from our group.
By all that’s holy, WHY?
This excursion was designated “moderate,” but if that was
moderate a “strenuous” trip would have killed me. But despite the illogical way
our tour was organized, I really enjoyed the visit to Urbino. This was
Princess’s maiden call to Ancona, and there are obviously a few bugs to be
worked out with their excursion partners. The easy fix would be to drop us off
at the upper gate and let us walk mostly downhill to be picked up at the lower
gate.
I’m sure they’ll figure things out for the next group
that comes to Urbino. I could stand to go again. After all, I’m sort of owed
the rest of that gelato!
I was hoping this Francesca painter might have been a woman, but alas: Piero della Francesca. No less brilliant for his gender of course - just not a poster girl for equality!
ReplyDeletePity about all of those steps up. I hope they do fix that for the next group!
I'm sure they will. I was not the only one who struggled with the logistics. It was still a wonderful excursion, just more exertian than advertised. Didn't hurt me any. I should push myself more. My daily step count goal is 6000--not earth-shaking, but a stretch for me. I hope to work up to 10K eventually.
DeleteSounds to me like that was an awfully lot of up & down walking on steps. Some older people might not appreciate that. Love you take care
ReplyDeleteActually, there were lots of complaints about the logistics of this tour. I think they'll definitely make a change the next time they run it. Love you too!
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